On 9/11/2001, I was 22 years old, fresh out of undergrad. I had been living in Iowa City for a few weeks, in a basement apartment that smelled of mildew and cat pee. A frat boy once vomited on my window. I listened to a lot of classic rock on the radio, because that was the only channel I could receive in my dungeon-like bedroom. I didn’t have a TV, because I couldn’t afford it. I ate a lot of strange concoctions – eggs scrambled with tofu, vegetable soup thickened with ramen noodles – and wore a lot of dresses I bought at antique stores. I felt like an adult, for the first time, almost.
To my complete shock, I was a student in the fiction program at the University of Iowa’s Writers’ Workshop. I had applied to only one program, the pie in the sky, a place I would never get into, as a sort of practice exercise. I was so surprised to be admitted that I cried when I got the phone call – but not for the usual reasons. I cried because I knew that I would have to go. Iowa has an acceptance rate of something like two percent. It’s not something you turn down – it’s a once in a lifetime opportunity. At least, this is what I thought at the time.
I ignored my trusted teachers and advisers, who told me that I should wait a few years before getting an MFA. I ignored my parents, who didn’t like the idea of me incurring more debt after graduating from my expensive private college. I tried not to think about the fact that my bad-news ex-boyfriend was in the same program. I rented a U-Haul and drove through fields of corn and soybeans …toward literary stardom, I hoped.
In Iowa City, I took an early-morning job at the Java House, a coffee shop downtown. This is where I was the morning of September 11th, a Tuesday, the day my weekly writing seminar with Marilynne Robinson met.
I was working the drip bar – we made every cup of coffee by hand, and it was damn good coffee – when the first person with strange news came in around 7:30. “Something weird is going on,” she said. “I heard that a plane or a helicopter or something hit the World Trade Center.” That sounded odd, like a freak accident. About ten minutes later, another customer came in. “Two planes have hit the World Trade Center,” she said. Gradually, slowly, the news came in to the Java House, second and third hand: planes crashing into the Pentagon, in a field in Pennsylvania. This was no freak accident. This was a terrorist attack.
My only thought as I tried to force my shaking hand to pour boiling water over the coffee grounds was this: Ian worked in the tallest building, the most prominent tower in San Francisco. It was a banking building. It was not quite as iconic as the Transamerica pyramid or one of the bridges, but it would be the best place to kill a large amount of people. I had to call him and tell him not to go to work.
I begged my supervisor for an early break, and I ran through the streets of Iowa City, looking for a pay phone. I had forgotten my cell phone that day – it was so new that I didn’t automatically take it with me everywhere. I finally found one, outside the movie theater. By the time I reached him, I was sobbing.
The rest of the day was completely bizarre. I went back to my apartment and listened to my staticky radio, cursing myself for not having a television. I bought a newspaper with images of the burning towers, but I shoved it into my closet without reading it. And then, at 6 PM, it was time for me to go to class.
Marilynne Robinson is a wonderful writer and a lovely person in many ways. She has a calm, steadfast expression and a soft voice. She says a lot of wise and interesting things. She was totally the wrong person to be handling what happened in our class that evening.
“So let’s start with Alex’s story,” she said. I think it was a story about a hockey game. It was so deeply and profoundly beside the point that the 12 of us sat around the table staring at each other in silence. We were a strange mix: a man in his fifties, a student of Islamic studies, a young mother, a former stock broker. A kind and funny woman from Louisiana, a shy and fragile woman whose new kitten left her hands covered with tiny bite marks. A man who wrote about Texas, a man who wrote about fathers and sons. Me, the only first year student.
After several minutes of silence, I spoke up. “Am I the only person who doesn’t think that we can do justice to this story today?” I said. “Am I the only person who doesn’t feel up to discussing a short story right now?”
Since then, I have often wondered if this was the right thing to do, if Marilynne was trying to show us that art was more important than violence, that writing should always be our first priority, that adults didn’t let things like catastrophic attacks come between them and their work. Every time I remember it, I decide again that it was right, that there was no way we could have gone on with class as usual that night. But the ugliness that followed – a debate about whether or not the US had brought this upon itself, a yelling match about what our course of action should be – made a difficult day even more painful.
It’s funny to me that one of the people around that table – the person sitting next to me, in fact – went on to become a prominent pundit, an expert on Islamic terrorism and Middle East politics. Whenever I see him on television or hear him on NPR, I try to remember what he said that day, but I can’t.
I remember one person – the older student – shouting that it was our fault because of our slavish support of Israel. I remember the former stockbroker leaving the room repeatedly to check his phone for messages from people in New York. I remember Marilynne, a small smile on her face, impenetrable as a Sphinx, so sage-like and wise when discussing fiction, speechless that evening.
I ended the day on a friend’s couch, several large pizzas in front of us, untouched. He had a TV, and five of us had gathered to watch the news together. We all sat crammed together on his couch, saying nothing. We watched Congress sing “God Bless America.” I did not feel inspired or hopeful. I felt sick.
Something happened that day, for me, something more personal and maybe even a little more frightening to me than the imminent war and the coming anthrax scare and the new, permanent sense of threat. I suddenly felt like writing short stories was the most pointless thing a person could possibly do. I felt that the only thing more ridiculous than writing short stories was being on the other side of the country from the person you love.
I lasted another three months in Iowa, three months of sleeplessness and anxiety. One night over Christmas break, as I tossed and turned in Ian’s bed, I suddenly realized that I didn’t have to go back. My anxiety melted and I fell asleep easily. I returned to Iowa in January to pack up my apartment. I haven’t been back since.
It was a good five years before I began to feel like writing was worthwhile again. As I started to put my tentative toes back into the literary life again – a conference here, a submission there – I kept my semester at Iowa a secret. I thought it would be too hard to explain to people, that they would think I was crazy for dropping out. I’m sure some would. I went on to finish my MFA at Bennington, a place that turned out to be much better for me in many ways, and in a strange twist of fate, one of my former classmates was my thesis adviser.
Although I have never regretted my decision to leave Iowa, there are some things that make me sad. I had great friends - Kim, Brooke, Ian, Pete – who all ended up marrying each other. I left in such a hurry that I felt weird about keeping in touch with them, and I miss them. I left a box of cool stuff in the basement store room of my apartment. I lost five years of solid writing time, and as I’ve watched several people I knew become best-selling authors and genuine semi-famous people, I have often wondered what I could have accomplished if I had been working that whole time.
In the end, I think that my instinct was the right one….at the time. In a time of uncertainty and fear, I needed the security and happiness that Ian brought me. And I needed time to grow, to live….to have something to write about.
Now, ten years later, I feel that writing – making art of any kind, really – is perhaps the most important thing a person can do in the face of terror and pain, not the most pointless. But I needed to leave Iowa to learn that.
I run into another classmate from time to time here in Petaluma. We write at the same coffee shop. We are always happy to see one another, even though we barely knew one another for such a short period of time, long ago. We were sitting together that day. We hug tightly; we say we’ll get together sometime. We haven’t done it yet, but just knowing that we can seems to be enough.